Today in Hip Hop History: Nas and Damian Marley Dropped Their Distant Relatives LP 13 Years Ago
On this date in 2010, Queensbridge king Nas and reggae royalty Damian Marley dropped their collaborative album Distant Relatives on the Universal Republic/Def Jam imprint.
This Hip Hop/reggae collabo album was the first of its kind, with its release coming after Nas’ controversial Untitled album and Marley’s landmark Welcome To Jamrock LP. The production was very organic and exempt of super producers except for Jr. Gong and Stephen Marley, having Marley explain , “We’re trying to have a sound that’s reminiscent of both of us, but not exactly like either… A lot of charity albums come off corny. We want this to be something you’d play in your car.”
The album did daily well commercially, entering the Billboard 200 at number five and selling over 125,000 in its premiere month. Distant Relatives also served as a refreshing alternative that was a vehicle of consciousness to younger listeners captivated by the more popular gangster-themed music. Features boasted the likes of Joss Stone, Junior Reid, Lil Wayne, and others.
Source: “TODAY IN HIP HOP HISTORY: NAS AND DAMIAN MARLEY DROPPED THEIR ‘DISTANT RELATIVES’LP 13 YEARS AGO” by Sha Be Allah. The Source. May 18, 2023.
Damian ‘Jr. Gong’ Marley On State Of Reggae: ‘New Sound Yet To Resonate On A Really Wide Scale’
Reggae and Dancehall superstar Damian “Junior Gong” Marley says the “new sound” which young Jamaican artists and producers are attempting to create appears to be struggling to arouse the interest of lovers of the island’s music.
In an interview with Barron’s Penta Magazine, the Halfway Tree artist, when asked how he felt about the current state of Reggae music, said that much experimentation is taking place at present, but emphasized that the original Reggae music format must be maintained.
“I think that the genre is in an innovation phase right now. You have a lot of young artists and producers who are trying new things. I don’t necessarily think that they have fully found themselves or a new sound that’s really going to resonate on a really wide-scale scale, but I think they’re experimenting,” he is quoted as saying.
“There needs to be a balance of us still giving a platform to the original cultural style of reggae music, the orthodox style,” the four-time Grammy Award winner added.
In November 2022, the International Federation of the Phonographic Industry (IFPI) released its Engaging with Music 2022 study, which showed that Reggae music was ranked 10th among the most favorite genres, out of more than 500 in the world, behind Pop, which sits at number one, followed by Rock, Hip-Hop/Rap, Dance/Electronic, Latin, Classical/Opera, R&B, Soundtracks, and Country.
When asked about his “hope for the future of Reggae,” Marley, 44, said that the genre would endure, as not only was music a natural part of the human experience, but because the messages of Reggae are positive and uplifting.
“People still need human connection, you know It’s still a very important part of our lives. Throughout the pandemic, we were trying to find what is the importance of music? Is it essential to people? Do people actually need music to survive? I want to think yes, I would hope so,” he explained.
“There’s a spiritual element, there’s an energetic element, there’s an intangible element. You know, I make a product that you can feel but you can’t touch. I just really hope that through music we can influence some positive vibrations. When it comes to that cultural, social aspect of reggae music, a big part of it for us is we’re trying to uplift underprivileged people. I hope the music continues to be known for that,” he added.
Marley’s recent work includes Kabaka Pyramid’s Grammy Award-winning album The Kalling, which he executive produced, and on which he also appeared on two tracks — Red Gold and Green, and the bonus track, Kontraband, Pt. 2. In 2022, he also produced two songs off Bling Dawg’s debut album Elev8, namely YO!, which featured Christopher Martin, and Married To Music, which sampled Barrington Levy’s 1980s hit Prison Oval Rock.
As an artist, Damian also collaborated with Sean Paul on No Fear in 2022, and with Dominican-Italian singer Yendry on You in 2021.
Marley has three Grammy Awards for Best Reggae Album for his albums Halfway Tree (2001), Welcome To Jamrock (2005), and Stony Hill (2011). He also won a Grammy for Best Urban/Alternative Performance for the Gold-certified Welcome To Jamrock single.
Unlike Junior Gong’s diplomatic response, in July 2021, veteran Roots Reggae artist Fred Locks, in giving his take on the state of Dancehall and Reggae music, had said that he was not particularly pleased with the direction in which both genres were being taken, and that young Reggae artists had caused the genre to lose “the meaning it was designed for”.
The Black Star Liner artist had said that despite Reggae being the world’s biggest genre, much of the music had lost focus and as a consequence, the output from younger artists, was highly superficial. He also said that historically, as people “strayed from the truth” the music became watered down, and, as secularism was promoted as being “more marketable”.
The Reggae Revival Movement, led by Chronixx, Protoje and others, came in for a swipe from Locks, who contended that the genre had needed no revival as it was not dying.
“Suh Reggae music tek a dive. Not that it die, because some people come – mi like dem still – and seh dem come fi revive Reggae like Reggae did a suffer, or was dying, drowning or dem ting, that it need revive,” he stated at the time.
Fred Locks, whose given name is Stafford Elliot, also took issue with artists who have been blending Reggae with foreign genres in their bids to “cross-over.”
“But I guess it is because some of wi great artiste passed and di one dem weh seh dem a carry it on, dem water it down because dem seh dem haffi do cross-over fi get big market, you know. But we who stick to it show seh: ‘yow yuh caan get wi inna dah trap deh. Wi naw bow,’” he added back then.
“A man free, but I don’t think seh sendin di message dem through the regular nowadays music is so strong like when we inna our time was going through what we go through. Because Reggae music in our time was talking about the oppression of the people… but people stilla suffa. The fact of the matter is seh it lose its real meaning that it was designed for…”
Fred had also commented on the new phenomenon of people with no background in music, creating beats on computers and declaring themselves producers.
Source: “Damian ‘Jr. Gong’ Marley On State Of Reggae: ‘New Sound Yet To Resonate On A Really Wide Scale’” by Claudia Gardner. Dancehall Mag. March 2, 2023.
20 Minutes With: Reggae Royalty Damian Marley
Throughout his life and career, Damian Marley has been synonymous with reggae music. The youngest son of Bob Marley has settled into his status as one of the genre’s pre-eminent voices, all while serving different roles as a commanding performer, visionary producer, and cruise director. Marley’s Welcome To Jamrock Reggae Cruise completed yet another sold out journey in December 2022; sales for the 8th edition—a 5-night cruise on Royal Caribbean’s Independence of the Seas, departing Miami on Dec. 4, 2023—have been brisk, with only a few cabins still available.
“It’s a reggae lover’s heaven, it’s paradise. You’re there with likeminded people, everyone loves reggae,” says Marley of the cruise. “Yet it’s interesting because it’s people from all walks of life, it’s very diverse. You get to interact with different people from different places who have their own cultures, but yet still come to share their love for the culture of reggae music.”
Passengers visit idyllic Jamaican destinations like Falmouth and Ocho Rios, all while dancing along to some of the world’s top reggae artists as they perform in multiple venues on the ship. Each cruise features a book drive that goes to Jamaican schools in need, with one of the featured performers dropping off the books to a nearby school when the cruise docks in Jamaica. Each passenger is asked to bring a children’s book to be donated to the Jamaica Library Service (JLS).
Since 2014, the Jamrock Cruise has grown in prestige, becoming one of the most in-demand music cruises in the world.
“It’s a statement for the genre,” Marley says. “Over the years there weren’t a lot of people who thought it was possible, a lot of people questioned whether or not we we’d be able to pull out such an event even based on wondering if fans of reggae music would spend that kind of money to go to an event like that.”
Marley, 44, recently spoke to Penta from his home in Miami.
PENTA: What is it about the cruising experience that makes it an ideal fit for a reggae festival?
Damian Marley: It’s obvious, what do people go to Jamaica for? They go for the music, food, weather, sunshine, sea, beach…and so a cruise ship is very much parallel to that experience. It’s out on the sea and in the sunshine, and then we’re providing reggae music and Jamaican food. And then you get to stop in Jamaica and get on Jamaican soil. So I think it all is a very obvious marriage and partnership.
You’re involved with various philanthropic efforts but have said you like to keep a low profile. Is there a particular cause you’d like to share with Penta readers?
Something I’m a part of that I do like to speak about is the Last Prisoner Project, it’s helping people who are locked up on cannabis-related charges to gain their freedom. That’s something I would love people to check out. Being that cannabis has been illegal for so long over the years and is something that we’ve been chastised for, there is a responsibility part of it where it comes down to social reform, and getting justice for the injustices. I just want people to educate themselves and spend their money responsibly.
How do you feel about the current state of reggae music?
I think that the genre is in an innovation phase right now, you have a lot of young artists and producers who are trying new things. I don’t necessarily think that they have fully found themselves or a new sound that’s really going to resonate on a really wide-scale scale, but I think they’re experimenting. There needs to be a balance of us still giving a platform to the original cultural style of reggae music, the orthodox style.
Do you have any current thoughts about your father’s legacy and the meaning of his music?
He’s pretty much as relevant as he’s ever been. He’s consistently been relevant throughout the times. Hats off to my family members who all work very hard at maintaining his legacy. It’s not just by chance, you have a lot of people who put a lot of hours into it every day, making sure things are going the right way, and exploring different opportunities to keep his legacy alive.
What do you say to readers who haven’t been to Jamaica?
Jamaica is a special place. For such a small country with such a small population, we have affected the world. We have created a genre that is loved the world over. We have various great leaders and names who come from Jamaica and excel in their fields. Whether it be Bob Marley, Usain Bolt, or Marcus Garvey…our impact on the world speaks for itself! For a dot on the map, there must be something special about that place. When you go there to visit, it’s more about the energy…it’s something I think people would enjoy experiencing.
What’s your go-to recommendation for visitors to Jamaica?
Well, I always recommend that people go to Hellshire Beach [near Portmore] and try the fried fish. When I worked on a video project with Jay-Z, that was one of the places I brought him to…it’s always one of the places where if I’m taking a guest to experience something that’s a good look for Jamaica and is unique to Jamaica too, it would be Hellshire Beach. The guy we go to there for seafood is called Screechy, but the whole beach is filled with different places for really good fresh fish.
What gives you hope for the future of reggae?
People still need human connection, you know It’s still a very important part of our lives. Throughout the pandemic, we were trying to find what is the importance of music? Is it essential to people? Do people actually need music to survive? I want to think yes, I would hope so.
There’s a spiritual element, there’s an energetic element, there’s an intangible element. You know, I make a product that you can feel but you can’t touch. I just really hope that through music we can influence some positive vibrations. When it comes to that cultural, social aspect of reggae music, a big part of it for us is we’re trying to uplift underprivileged people. I hope the music continues to be known for that.
This interview has been edited for length and clarity.
Sean Paul ft. Damian Marley & Nicky Jam – “No Fear”
Sean Paul ft. Damian Marley & Nicky Jam - "No Fear"
Sean Paul, Damian Marley and Nicky Jam honor the tough but beloved neighborhoods that shaped their childhoods and taught them how to live boldly in their music video for “No Fear.”
Source: BET.com. “Sean Paul ft. Damian Marley & Nicky Jam – “No Fear”“. January 19, 2023.
Damian Marley Feeds You the Medicine of Music
Damian Marley continues to honor the Marley legacy in his own way as an artist carving his own path. The Grammy Award-winning singer/songwriter and producer remains at the forefront of the reggae genre for his music, collaborations, producing of other artists, and his very own reggae cruise.
The Welcome To Jamrock Reggae Cruise set sail last month for its seventh installment, the first annual voyage since the cruise was put on hiatus due to the worldwide COVID pandemic.
In advance of the ship’s departure, we were able to catch up with Marley via Zoom and learn more about his music creation process, his relationship with cannabis—cannabis consumption, cannabis activism, and cannabis reform—and the inspiration behind creating a reggae festival on water.
High Times: You’ve been performing music for most of your life. Do you remember the starting point?
Damian Marley: We started off doing performances in my aunt’s living room until my aunt decided to take us on the road. We then started doing things like Mother’s Day shows and Valentine’s Day shows, little girls’ birthday parties—things like that in Jamaica.
High Times: Did you ever imagine you’d one day go from that to headlining your own festival cruise?
Damian Marley: We weren’t the first people to come up with a musical cruise but there had never really been a successful reggae cruise. It’s something my manager, Dan [Dalton], brought to my attention—that there’ve been other genres doing cruises. The whole culture of a cruise—going to an island, being out in the sun, out on the sea and all that stuff—lends itself very well to the culture of reggae music. However, there was hesitation if our fanbase was financially able to go on a cruise, and of course we ended up proving that we do have the market to be able to do that.
The idea of the Caribbean sea, sun, and weather, going to Jamaica, the music, and all these things—it goes hand in hand [with reggae] and it’s kind of surprising that it actually hadn’t been done before. But here we are, the ones who actually executed the idea.
High Times: In terms of ideas, what role does cannabis play in your creative process?
Damian Marley: Cannabis plays a really big role in my life in general. I’m burning a spliff as I’m speaking to you now, so what role does it not play? It’s kind of hard to say. It’s a part of my day-to-day regimen. Most of the things I’m doing are under the influence of cannabis [laughs].
High Times: Is there a specific method of consumption or specific strain you prefer?
Damian Marley: Ocean Grown OG Kush tends to be one of my favorites, but we still enjoy other strains, too. Variety is the spice of life in that way.
I also usually smoke, I don’t really do many edibles or that kind of stuff. It’s mostly smoking, although I would encourage people not to smoke and instead consume edibles because smoking in itself is not a healthy habit—but that’s just what I do.
High Times: Do you feel that the act of consumption opens you up to other ways of thinking or other spiritual activity?
Damian Marley: It puts you in a space where you have time for your own thoughts, where you can hear your thoughts a bit more clearly. It helps you focus less on the busyness around you and you get more exclusive to your own thoughts.
High Times: As in putting your own thoughts under your own sort of microscope?
Damian Marley: More so that you get to hear your own voice more clearly by silencing some of the other voices around you.
High Times: So it’s more that it helps you block out distractions and other external factors and tune you in to you.
Damian Marley: Especially when I was younger. Now, of course, [smoking] is part of my life so I don’t have the kind of jolt and effect from when you just start smoking. But after high school when I was smoking and reading the bible and learning about my faith as a Rastafari, you really get to meditate and zone in on your own voice and certain topics in a different way.
High Times: From a music standpoint, what can we be on the lookout for from you in the coming months?
Damian Marley: I’m about to start making some music for myself right now, so it’s a bit difficult to say specifically what to look for, but you can look for some music from me this year. I would think we’ll probably start with a few singles leading up into an album. We also recently released an album I produced for an artist by the name of Kabaka Pyramid, where myself and the team produced the entire album, and we’re really proud of that.
High Times: Is it the same creative input that you provide when producing a record for someone else that you provide for yourself?
Damian Marley: We give one-hundred percent when making music, regardless of what we’re doing, you know what I mean?
High Times: Whether you’re creating music for yourself or someone else, is there something you hope the audience takes from it?
Damian Marley: Yeah, something that they need. So it’s not for me to say what they must take, but we want them to take something that they need, something that will benefit their life in some kind of way.
Something I always find very interesting and such a joy is in how people interpret songs and what they take from them. Sometimes with certain songs and certain lyrics, someone might find a completely different meaning from what I was trying to say in the conversation of the lyrics. They interpreted it completely differently, and that’s always very interesting to see. So, it’s not for me to say what people take away from it, but we want them to take something that brings substance to their life and somehow impacts their life in a positive way.
High Times: So you’re creating the substance from which other people can have an experience, but you’re not here to dictate what that experience is.
Damian Marley: We’re not telling you how to take the dosage, we’re just making the medicine.
High Times: In terms of the medicine, what types of cannabis endeavors are you currently involved in?
Damian Marley: Right now, the brand that we’re working on and supporting is called Evidence, but the overall brand that I and Dan are a part of is called Ocean Grown. The product that Ocean Grown is now presenting is called Evidence, which is obviously herb that you buy and smoke. But the great thing about Evidence is the work that we’re doing to help people who have been locked up for herb become free.
With Evidence, we’re also partnered with the organization Last Prisoner Project (LPP), and the whole aim of this organization is to help people who are locked up for marijuana and help them gain their freedom now that the cannabis laws have changed. So we have a greater purpose other than trying to just sell herb and make money. We want to do that—don’t get me wrong—but we’re doing some great work within the community through this Evidence brand and through LPP and through what the whole movement stands for. We’re encouraging people to check out that part to fully understand what the movement is all about, while also enjoying the cannabis.
High Times: So the brand has that social impact element, which is really important.
Damian Marley: Yeah, really important. Cannabis users tend to be good people who want to do good, so it goes hand in hand.
Q&A: Damian ‘Jr. Gong’ Marley On His Welcome To JamRock Reggae Cruise, Jimmy Cliff And More
After a three-year hiatus due to COVID, Damian Marley and his annual JamRock Reggae Cruise departed from Miami yesterday (December 7), bound for Jamaica. Joined this year by such reggae icons as Burning Spear, Shabba Ranks, Shinehead, Maxi Priest, Stephen Marley and more, the five-day excursion blends reggae with the Jamaican culture, such as food and more, as well as yoga and other activities.
The 2022 edition has been sold out for some time, but tickets are on sale now for the 2023 edition, being held December 4 – 9 of next year. I spoke with Marley about this year’s cruise, the artist he’d still love to have him on the cruise in the future and more.
Steve Baltin: I’m glad that we get to connect. I appreciate you being flexible with this. Sometimes the universe, as my friend says, just laughs at you.
Damian Marley: I hear that, sure.
Baltin: But then again, you know that well, because, of course, you were in the midst of planning cruises. And then COVID happened.
Marley: Yep, I think everyone in the world knows it pretty well by now.
Baltin: So this is the first one in three years, right?
Marley: Yeah. The first one since two thousand and nineteen.
Baltin: I spoke with so many artists during the lockdown. And it was a very fascinating thing to see how people either missed or didn’t miss touring. Since we’re talking specifically about the cruise, did you miss that camaraderie?
Marley: Not particularly, I was good. I wasn’t even focused on that. I was more actually giving thanks for the time. It’s the first time that I’ve been in one place since I was a child.
Baltin: It’s interesting that you say that because I spoke with Lucas Nelson, who was at the house with his mom and dad, and they would have dinner as a family at five-thirty every night. And I think for so many people they really enjoyed that feeling of being able to live let’s call it a normal life for a minute. Did you find that having the time away, it makes you appreciate these things more?
Marley: Yeah, I appreciate these things more. And it made me think about other things to where as I was saying, reset. It really occurred to me that it’d be really a great thing to learn like a trade. So it made me want adventure outside of just the music business. To learn some other stuff that may be more helpful in a situation outside a music life.
Baltin: What are some of the extra-curricular activities you have on board?
Marley: Throughout the years we’ve always had various activities and events plan. We have soccer games that happen. There’s been like domino tournaments. There are a lot of activities there that we plan for the cruise and, of course, there’s also live entertainment happening right throughout the day. But we just really try to make sure that we get everything properly and smooth as it should be rolling out this year, before we even try to undertake any kind of new things. This year is really trying to get back to just the cruise itself. But as we said, there’s a lot of extra-curriculum activities.
Baltin: I’m: sure the anticipation is really great, and that you’re seeing people are incredibly excited.
Marley: Yeah, of course. I think people just in general are excited for any event that’s being held right now. People are tired after being locked up for so long that everyone wants to get out and get back to life and enjoy themselves. And being social, people are excited about the cruise and then definitely can follow it.
Baltin: What made you then decide initially a cruise was the way to go?
Marley: You have other cruises that are music oriented that we have seen as examples. And we know that it will work very well with regular music. You get to go to Jamaica, it’s sunshine, it’s good weather, it’s Jamaican food, and, of course, like I said the music. So it works well with our culture. I’ve never been on a cruise ship prior to our cruise. I didn’t really have any interest to go on a cruise.
Baltin: Since it is your cruise, are there a couple of artists that you would love to have on there?
Marley: Yeah, a lot of them are on it this year. So, for example, this year we have Burning Spear and we have Shabba Ranks and various other acts. But every year we try to get more and more acts that have never been before. We have some people who repeat, and what not. But I’ve had a lot of my heroes been on the boat already and we still have some more that we’d like to do in the future. I’d hope to have Jimmy Cliff one year.
Baltin: You just did some producing as well for an album that’s Grammy nominated.
Marley: Yes, indeed. So it’s for an artist named Kabaka Pyramid, who I know in the genre of reggae music. This would be the second album that we’ve worked on together, but on this one I produced the entire album. We did the whole thing together, and it’s his first Grammys nomination. So we released the album through our label. We’ve been nominated prior with Third World. But this being Kabaka’s first nomination it’s a milestone for us.
Source: “Q&A: Damian ‘Jr. Gong’ Marley On His Welcome To JamRock Reggae Cruise, Jimmy Cliff And More” by Steve Baltin. Forbes. Dec. 8, 2022.